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- About Bookbinding - |
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Book Repair and RestorationA Manual of Pratical Suggestions for Bibliophiles by Mitcell S. Buck 1918General Book Restoration Part 2 |
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Checking off from this list, advisable repairs should then be made. The edges of any tears should be neatly joined with paste. To do this, a clean sheet of white paper should be placed under the torn part and the edges of the tear lightly coated with ordinary white paste. These edges are then pressed together by means of another sheet of white paper pressed above, both the upper and under sheets being gently moved several times to prevent them from sticking to the tom edges. Paste used in this way dries in a few minutes and holds firmly if the edges of the tear are a bit rough. If the page is separated by a clean cut, it may be necessary to apply a strip of thin tissue to hold the edges together. The same general method may be used for inlaying pieces tom from the margins, perhaps by the careless use of a paper cutter in the hands of the original owner. Paper of the same weight and tint as the tom page is secured, placed under the lacuna, and the outlines of the missing part traced off with a sharp pencil. The piece to be inlaid is then cut, following the traced outline but leaving a little margin, and pasted in position, the outer edge being cut even with the general edge of the leaf when the inlay is dry. (*) White paper for inlaying may be tinted with watercolors to match the old paper. The best method, however, of imitating the yellowish tone of old paper is to stain the inlay with potassium permanganate. This is a dark purple crystal which is used in extremely weak solution in warm water. (*) M. R. Yve-Plessis in his "Petit Essai de Biblio-Therapeutique" suggests an excellent way of preparing a paper patch for an inlay. Which is, to lay the paper from which the patch is to be taken under the torn page and trace the outlines of the tear on the new paper with a clean pen filled with water. By tracing over several times, the water will saturate the new paper on the line made by the pen, so that the paper may be pulled apart, providing a patch having more exact outlines than could be secured by cutting with scissors. If a sheet of paper is to be tinted for inlaying or to replace, perhaps, a missing fly-leaf, it is laid in the solution for a few seconds, then removed and the excess purple tone thoroughly washed off under running water. The paper will then be found tinted a pale, yellowish brown, the tone of which may be varied by the strength of the solution and the length of time the paper remains in it. Coffee, licorice or tobacco may also be used, with good results. The pages all in order and repair, the next operation is to repair the "shaken" back. Perhaps there is no ill to which old books, especially modern issues in their original bindings, are more subject. The damage known as "broken" back usually means a book practically broken in half, the break, in old calf bindings, usually extending through to the outside of the back. The "shaken" back on the contrary, has merely separated between the signatures, exposing, between the inside sheets, the lining of the back. Cheaply bound books seldom remain solid between the signatures, especially when they are printed on heavy, unyielding paper. The damage arises partly from the drying out of the glue in the back and partly from careless handling by readers. Books should always be opened gently and never forced open to absolutely flatten out the pages unless the binding is known to be entirely safe and firm.
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| Book Restoration Part 3 > | |||||||
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