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- About Bookbinding - |
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Practical Bookbindingby Paul Adam 1903Marbling, Gilding the Edges and Headbanding Part 5 |
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With a little thought it would be easy to invent other fancy designs, but these are better applied to paper, as trimmed edges are more beautiful and effective when the marbling is of simpler design.
Recently, a sort of paper termed Trichinal marble has been very prominent on the market. Black and light brown or red and light brown or black, red, and light brown, or white, are all sprinkled on with a brush, length (not cross) wise drawn through, and then grey with a few drops of turpentine (but very driving) is sprinkled on with a small brush. The single drops have ragged edges and produce a peculiar effect. Thin veined or French marbling is done upon the same ground, though it can also be done on a somewhat thinner body. The colors, however, are diluted by 50 % water, and, consequently, more gall is added. As a rule, only two colors are used; blue, red; brown, blue; brown, green; black, red; black, blue. The first color is laid on in rings with a brush and must be strong enough to spread over two thirds the width of the trough; the second color is sprinkled over with a little birch broom in drops that spread out to the size of a half crown. Lastly, the so called sprinkling water is sprinkled over with one 'dash from the large brush as already explained. Sprinkling water consists of two parts water and one part spirit of soap. The small veins must be driven quite close together and the eyes made by the sprinkling-water must not be larger than a small pea. It should be observed that for this kind of marbling only the darker shade of red is to be taken, as the light carmine lake color sinks and does not give a fine effect. India red is best of all.
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